There are four components necessary to start a fire: a fast, short lived resource which ignites
quickly (ie: paper), a fairly fast longer living element (ie kindling), a long
lasting burning source (wood logs) and finally oxygen. Master fire starters tell me a fifth element
is key: a Heart. A heart in a fire is the successful combination
of the first four elements, the thing that keeps the fire burning, the center
of a good blaze. When you lose it, you
lose the fire.
And so it is with us.
Our bodies require different sources to create fire (energy)
and this is multi-layered and complex.
We need clean, nutritious food, water and whole (as opposed to partial) impressions
to keep our organism balanced. We require
different forms of protein, carbohydrates, amino acids and minerals. Some of those components are “quick igniters”
(carbs), others are slow forms of energy (proteins). Again, the “heart” of the daily fires we
build is the sublime combination of these foods, the movement of our body, the
quality of the breathing we do. When we
lose the heart or balance in our daily life, stress and toxicity move in, we
lose the fire.
And so it also is with our “spirit” life.
As in all things, our spirit life needs tending much like
the daily blaze we attempt to build in this complex organism. It actually is not separate, but very much
linked to the food of impressions, something easily dismissed as extraneous as
we are bombarded by them from the minute we wake up until we go to sleep. But for impressions to be nourishing they have
to be whole; that is more of myself engaged in the receiving of them.

What could be an interesting notion is that any of these
elements, the quick igniters, kindling or logs in my daily life are vital and necessary aspects to
the Heart of my daily fire. The Heart
finds it’s rhythm, by slowing down and opening up, including all my resources. I become aware of the attraction in my chest
to the pattern and color of the mug in the drainboard. The shape is squarely in the palm of my hand
while my feet do their turn to place it with a modicum of awareness where it
belongs on the shelf. All of a sudden
the cursory glance and impression are filled out, become more whole. I’ve made relationship with the object. More of me is involved, not just my executive
decision maker. Painting a room may
involve many long pauses of consideration.
A slowness in my internal mechanism transpires, not necessarily in my
external. My interior becomes more
spacious by including the light from the window. It occurs to me to take better care, more
thought in the laying of drop cloths, placement of ladders and paint
trays. They no longer are annoyingly incidental,
but part of the process. My usually rushed end-product self relaxes into the
fire being created, the impressions expanding (the Heart) in the process.
The thing about building a fire, is that you can watch a
master do it, but you really don’t know how until you’ve tried and failed (repeatedly) in your own way
yourself. Tips are accepted, but it is taking responsibility for the event,
the watching and waiting and inclinations one feels while the fire attempts to
take off. The subtle awareness one has
in oneself, the seeing what it needs, the surprise, the doubt, disappointment
and willingness to give it another go when it sputters out. Where is it waning?
What does it need? Where is the Heart?
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